Blog Archives

Into the Now. Performance on theory, politics and history (2017)

The video is a punctuated string of visuals and documents by Marina Gržinić and Aina Šmid ordered to better understand the speculative disaster by financial capital in the present. The paths are two, one is historical and the other lies in the possibility for analyzing contemporary forms of racism and processes of racializations that are — which are within Europe and the rest of the world — hidden behind the financial capital disaster crisis…

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Migration, Sex, History: Africa/Europe (2014)

Departing from a tradition in politically engaged art experimental projects, we want to make a film to reflect on Europe and its borders, elaborating different conditions for living and acting. This is coming as an imperative. It is a question of establishing new possibilities for forming a different, but counter, almost bastard, dissident history of Europe, better to say of EU, that is, of migration, empowerment and reflection…

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Obsedenost (Obsession) (2008)

– The video OBSESSION  reflects on emancipative politics and the possibility of a production of radical knowledge that is opposing the new and old colonial context of capitalism. The video is based on knowledge and resistance developed on thoughts and

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Vzhodna hiša (The Eastern House) (2003)

– The Eastern house is a video that reread some key names and some keysequences from the film history: Antonioni (Blow-up), Coppola (Apocalypsenow), Don Siegel. As well it re-articulates the body and conceptual happenings performed in the Eastern European context.

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O muhah s tržnice (On the Flies of the Market Place) (1999)

– On the Flies of the Market Place is a video that deals with the idea of the European space, divided, sacrificed. In an exemplary visually constructed surrealistic world of facts and emotions, using documents from books and magazines the

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LUNA PARK (1997)

LUNA PARK was a video interactive project, which played almost literally on the card of communication/discommunication. Today we have to have digitized/numbered cards to live properly to go to the bank or to enter a hotel room. Although instead of

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Troubles with Sex, Theory and History (1997)

“The work consists from the video, film and theoretical work by Grzinic & Smid (in the period between 1982 and 1997), and now classified on four levels of values ranging from – – to -+, and from +- to ++.

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Bilokacija (Bilocation) (1990)

Post-socialism + Retroavant garde + Irwin, video, 1997

Deklica z oranžo (The Girl With Orange) (1987)

Moscow Portraits (1990)

Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman’s Photographs (1984)

Trenutki odločitve (Moments of Decision) (1985)

Labirint (Labyrinth) (1993)