Blog Archives

Insurgent Flows.

Thriving of Black, Brown, Indigenous, Queer and Trans Vitalities. White Topographies of Coercion and Emancipation. for the EXHIBITION OPENING20.09.2023 | Wednesday, 19:00 with Bojan Đorđev and Siniša Ilić, action Overwhelmed Alexandra Gschiel, Social Kitchen Art Project Eva Ursprung, sound performance

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ODPADNIŠKE ZGODOVINE STORIE DISSIDENTI DISSIDENT HISTORIES(1982–2022)

Mara Ambrožič Verderber40 YEARS OF WORK 25.11.2022-28.2.2023 Galerija Loža Koper/Galleria Loggia Capodistria / Loža Gallery Koper, SLOVENIA Marina Gržinić & Aina Šmid have been working with video since 1982. They have participated in numerous video, media and film presentations and

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PARALLEL HISTORIES OF SLOVENIA’S EMPOWERMENT AND URBANITY 1980–1990–2000

PARALELNE ZGODOVINE OPOLNOMOČENJA IN URBANOSTI SLOVENIJE 1980–1990–2000 Zbirko gradiva je sestavila / The collection of material was compiled by Marina Gržinić ·  Avtorica spremnih tekstov / Author of the accompanying texts: Marina Gržinić ·  Asistentka Marini Gržinić pri pripravi materiala

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RADICAL CONTEMPORANEITY – Marina Gržinić and Aina Šmid 35 years of work revisited (1982–2017)

download flyer in pdf>> RADICAL CONTEMPORANEITY Marina Gržinić and Aina Šmid: 35 years of work revisited (1982-2017) Curator: Aneta Stojnić KUNSTRAUM LAKESIDE Lakeside B02 9020 Klagenfurt, Austria www.lakeside-kunstraum.at Opening: 11.05.2017, 18.30h Into the Now, performance by Marina Gržinić and Aneta

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Kiberkino: Filmi slovenskih avtoric (2013)

Kiberkino, otvoritev, 28.2. in 1.3. v Kiberpipi, Kersnikova 4, 1000, Ljubljana

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Intermediality of image and politics (2012)

Marina Gržinić and Aina Šmid have been working with a critique of ideologies por- trayed as the fluid, changing systems, revealing their rhetorical functions in cul- tural production since 1982. Their collaborative practice points at resisting tactics; they evoke that

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Wideo performerns artystyczny (2012)

Marina Gržinić i Aina Šmid eksplorują zdecentralizowaną pozycję podmiotu ukaza- nego na wielu płaszczyznach. Będąc Europejjka- mi, mieszkankami Bałkanów, Słowenii, byłej Jugosławii, kobietami artystkami nurtu queer, Gržinić i Šmid pracują razem od 1982 roku na polu sztuki wideo. Współpracę rozpoczynały

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Bilokacija (Bilocation) (1990)

Post-socialism + Retroavant garde + Irwin, video, 1997

Deklica z oranžo (The Girl With Orange) (1987)

Moscow Portraits (1990)

Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman’s Photographs (1984)

Trenutki odločitve (Moments of Decision) (1985)

Labirint (Labyrinth) (1993)