08 10 2024 – 15 12 2024 Marina GRŽINIĆ with Aina ŠMID, Tjaša KANCLER, Jovita PRISTOVŠEK Venue: Günter Grass Gallery in GdańskDates: 08.10-15.12.2024Opening night: October 8, 2024 at 6 PMCurator: Łukasz GuzekCo-Curator: Mara Ambrožič VerderberExhibition project: Marina Gržinić and Jovita PristovšekConference: 09.10.2024, 2.00 PM | Europejskie Centrum…
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Insurgent Flows.
Thriving of Black, Brown, Indigenous, Queer and Trans Vitalities. White Topographies of Coercion and Emancipation. for the EXHIBITION OPENING20.09.2023 | Wednesday, 19:00 with Bojan Đorđev and Siniša Ilić, action Overwhelmed Alexandra Gschiel, Social Kitchen Art Project Eva Ursprung, sound performance…
ODPADNIŠKE ZGODOVINE STORIE DISSIDENTI DISSIDENT HISTORIES(1982–2022)
Mara Ambrožič Verderber40 YEARS OF WORK 25.11.2022-28.2.2023 Galerija Loža Koper/Galleria Loggia Capodistria / Loža Gallery Koper, SLOVENIA Marina Gržinić & Aina Šmid have been working with video since 1982. They have participated in numerous video, media and film presentations and…
PARALLEL HISTORIES OF SLOVENIA’S EMPOWERMENT AND URBANITY 1980–1990–2000
PARALELNE ZGODOVINE OPOLNOMOČENJA IN URBANOSTI SLOVENIJE 1980–1990–2000 Zbirko gradiva je sestavila / The collection of material was compiled by Marina Gržinić · Avtorica spremnih tekstov / Author of the accompanying texts: Marina Gržinić · Asistentka Marini Gržinić pri pripravi materiala…
RADICAL CONTEMPORANEITY – Marina Gržinić and Aina Šmid 35 years of work revisited (1982–2017)
download flyer in pdf>> RADICAL CONTEMPORANEITY Marina Gržinić and Aina Šmid: 35 years of work revisited (1982-2017) Curator: Aneta Stojnić KUNSTRAUM LAKESIDE Lakeside B02 9020 Klagenfurt, Austria www.lakeside-kunstraum.at Opening: 11.05.2017, 18.30h Into the Now, performance by Marina Gržinić and Aneta…
Kiberkino: Filmi slovenskih avtoric (2013)
Kiberkino, otvoritev, 28.2. in 1.3. v Kiberpipi, Kersnikova 4, 1000, Ljubljana
Intermediality of image and politics (2012)
Marina Gržinić and Aina Šmid have been working with a critique of ideologies por- trayed as the fluid, changing systems, revealing their rhetorical functions in cul- tural production since 1982. Their collaborative practice points at resisting tactics; they evoke that…
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