Blog Archives

No War but Class War! (2009)

No War but Class War!, 2009, 6:38 Marina Grzinic and Aina Smid In collaboration with Zvonka Simcic Text by Marina Grzinic Ljubljana/Slovenia No War but Class War! What does it mean to perform class struggle? It means to expose the

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Dan D (D Day) (1997)

– The video is a passionate, in the aesthetic of an experimental film, radiography of the multi ethnic, racial and psychological matrix of today modern cities. As a voyeur, searching for faces, gestures, bodies, traumas, the work shows how bodies

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Moscow Portraits (1990)

Moscow portraits is a video project, which reconstructs the work and life of the great Russian avant-gardist, suprematist painter from the 1920s – Kasimir Malevich. His ideas and works are transformed through six bizarre portraits of a “man reading Malevich

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Os življenja (Axis of Life) (1987)

— The story of the video Axis of life is that of two women remembering their “common” husband – a man who is imputed to have killed both of them, whereas in fact they are alive and they have murdered

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Doma (At Home) (1986)

– The story of the film At home takes place in the early 1950s. This is the story of a man and his part in the 2nd World war, during which he is forced to murder his wife. After the

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Ikone glamurja, odmevi smrti (Icons of Glamour, Echoes of Death) (1982)

The video is about the phantasmatic world of a woman stereotype portrayed as a model (Marina Grzinic)/apparently a transvestite (that switches through language between sexes, being she and then suddenly he), and her friend – a hermaphrodite (Aina Smid). They

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Bilokacija (Bilocation) (1990)

Post-socialism + Retroavant garde + Irwin, video, 1997

Deklica z oranžo (The Girl With Orange) (1987)

Moscow Portraits (1990)

Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman’s Photographs (1984)

Trenutki odločitve (Moments of Decision) (1985)

Labirint (Labyrinth) (1993)