– The video HI-RES by Marina Grzinic and Aina Smid is based on the dance performance HI-RES by Maja Delak and Male Kline. The video poses questions and give some unexpected answers to what is to be done in contemporary…
Tag: dance
HI-RES (2006)
Posted in video Tagged with: body, boredom, capitalism, dance, Delak, dizziness, hi-res, Kline, limits, performance, performative, politics, representation
A3 – apatija, aids in Antartika (A3 – Apathy, Aids and Antarctica) (1995)
– A3 – APATHY, AIDS AND ANTARCTICA is story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the…
Posted in video Tagged with: aids, antarctica, apathy, Balkan, body, Cauceuscu, confusions, dance, fragility, kitsch, media, melodramatic, Milosevic, monstrosities, pop-folk, sexuality, subject, tango, totalitarian
Rdeči čeveljčki (Red Shoes) (1994)
– RED SHOES rework and remake for the video camera the modern dance choreography by Sinja Ozbolt. The surroundings, the architectural settings of the video dance work is a carefully chosen by Grzinic/Smid. This is a place “with the past”…
Labirint (Labyrinth) (1993)
– This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte’s paintings and…
Posted in video Tagged with: Bosnians, cynical, dance, deprivation, hysterical, imagery, Magritte, memory, misery, poetical, refuge-camps, surrealistic, traumatic, Yugoslavia
Grožnja prihodnosti (The Threat of the Future) (1983)
– With the song by Yello “Pin ball cha cha” and the singer that invites us to watch by singing “Come, come closer to me, I tell you man you will see…” we enter in the dance performed by Marina…
Posted in video Tagged with: cinema-verite, control, dance, discipline, peep show, pornography, punk
