Blog Archives

HI-RES (2006)

– The video HI-RES by Marina Grzinic and Aina Smid is based on the dance performance HI-RES by Maja Delak and Male Kline. The video poses questions and give some unexpected answers to what is to be done in contemporary

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A3 – apatija, aids in Antartika (A3 – Apathy, Aids and Antarctica) (1995)

– A3 – APATHY, AIDS AND ANTARCTICA is story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the

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Rdeči čeveljčki (Red Shoes) (1994)

– RED SHOES rework and remake for the video camera the modern dance choreography by Sinja Ozbolt. The surroundings, the architectural settings of the video dance work is a carefully chosen by Grzinic/Smid. This is a place “with the past”

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Labirint (Labyrinth) (1993)

– This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte’s paintings and

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Grožnja prihodnosti (The Threat of the Future) (1983)

– With the song by Yello “Pin ball cha cha” and the singer that invites us to watch by singing “Come, come closer to me, I tell you man you will see…” we enter in the dance performed by Marina

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Bilokacija (Bilocation) (1990)

Post-socialism + Retroavant garde + Irwin, video, 1997

Deklica z oranžo (The Girl With Orange) (1987)

Moscow Portraits (1990)

Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman’s Photographs (1984)

Trenutki odločitve (Moments of Decision) (1985)

Labirint (Labyrinth) (1993)