– The video HI-RES by Marina Grzinic and Aina Smid is based on the dance performance HI-RES by Maja Delak and Male Kline. The video poses questions and gives some unexpected answers to what is to be done in contemporary…
Tag: dance
HI-RES (2006)
Posted in video Tagged with: body, boredom, capitalism, dance, Delak, dizziness, hi-res, Kline, limits, performance, performative, politics, representation
A3 – apatija, aids in Antartika (A3 – Apathy, Aids and Antarctica) (1995)
– A3 – APATHY, AIDS AND ANTARCTICA is a story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out-of-joint situation for the subject.…
Posted in video Tagged with: aids, antarctica, apathy, Balkan, body, Cauceuscu, confusions, dance, fragility, kitsch, media, melodramatic, Milosevic, monstrosities, pop-folk, sexuality, subject, tango, totalitarian
Rdeči čeveljčki (Red Shoes) (1994)
– RED SHOES rework and remake for the video camera the modern dance choreography by Sinja Ozbolt. The surroundings, the architectural settings of the video dance work, are carefully chosen by Grzinic/Smid. This is a place “with the past” –…
Labirint (Labyrinth) (1993)
– Tjaša Kancler’s book cover of the politically engaged and thorough analysis of the politics of resistance, published in Spanish in 2018 for the publisher and activist social space t.i.c.t.a.c., Barcelona. This video dance project is a sort of condensed,…
Posted in video Tagged with: Bosnians, cynical, dance, deprivation, hysterical, imagery, Magritte, memory, misery, poetical, refuge-camps, surrealistic, traumatic, Yugoslavia
Grožnja prihodnosti (The Threat of the Future) (1983)
– With the song by Yello “Pin ball cha cha” and the singer who invites us to watch by singing “Come, come closer to me, I tell you, man, you will see…”, we enter the dance performed by Marina Grzinic.…
Posted in video Tagged with: cinema-verite, control, dance, discipline, peep show, pornography, punk
