Blog Archives

Ženska, ki nenehno govori (The Woman Who Constantly Talks) (1993)

– Five women in five video stories are incessantly speaking with words, gestures, bodies, (false) moves about our myths, our lives, our lies, our countries, our racism, our lost territory, our lost bodies and our fears. But this is only

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Deklica z oranžo (The Girl With Orange) (1987)

– Metaphorical realism is what is at the core of this work. It is a form of realism with a strong mixture of unspoken sentences and not easy comprehensible thoughts. Far from the city, driving her car, the female protagonist

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Gola pomlad (Bare Spring) (1987)

“I’ve learned everything by watching. Without those pictures we wouldn’t exist either,” says the male protagonist, in reply to his friend’s question about his cross-dressing habits. This “road video,” dedicated to the “road movies” of Wim Wenders, aims to portray

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Os življenja (Axis of Life) (1987)

— The story of the video Axis of life is that of two women remembering their “common” husband – a man who is imputed to have killed both of them, whereas in fact they are alive and they have murdered

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Doma (At Home) (1986)

– The story of the film At home takes place in the early 1950s. This is the story of a man and his part in the 2nd World war, during which he is forced to murder his wife. After the

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Cindy Sherman ali histerija produkcija predstavlja rekonstrukcijo fotografij Cindy Sherman (Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman’s Photographs) (1984)

– It is a work that reconstructs the photographs of the American artist Cindy Sherman using the video medium. Scenic and stylistic elements, details and poses from Sherman’s photographs are all recycled, reconstructed and then transformed through acting, shooting and

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Ikone glamurja, odmevi smrti (Icons of Glamour, Echoes of Death) (1982)

The video is about the phantasmatic world of a woman stereotype portrayed as a model (Marina Grzinic)/apparently a transvestite (that switches through language between sexes, being she and then suddenly he), and her friend – a hermaphrodite (Aina Smid). They

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Bilokacija (Bilocation) (1990)

Post-socialism + Retroavant garde + Irwin, video, 1997

Deklica z oranžo (The Girl With Orange) (1987)

Moscow Portraits (1990)

Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman’s Photographs (1984)

Trenutki odločitve (Moments of Decision) (1985)

Labirint (Labyrinth) (1993)