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Luna 10 (The Butterfly Effect of Geography) (1994)

– Inserts from neo-avant-garde films by Emir Kusturica, Zivojin Pavlovic and Zelimir Zilnik made in the so-called Yugoslav film period of the 1970s and 1980s are re-read, re-worked, re-coded in a video story contemplating the role of different media in

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Rdeči čeveljčki (Red Shoes) (1994)

– RED SHOES rework and remake for the video camera the modern dance choreography by Sinja Ozbolt. The surroundings, the architectural settings of the video dance work is a carefully chosen by Grzinic/Smid. This is a place “with the past”

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Transcentrala (1993)

– A documentary/artistic project about the Neue Slowenische Kunst (NSK) movement (Laibach, IRWIN, Cabinet Noordung) in Ljubljana. Involves members of the core of the NSK and together with them, we travel into the structure of the “utopian” NSK state, a

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Labirint (Labyrinth) (1993)

– This video dance project is a sort of condensed poetical and cynical look on the situation in the ex-Yugoslav territory. Hysterical and hectic dance movements are put in juxtaposition with surrealistic artificially constructed imageries, based on Magritte’s paintings and

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Ženska, ki nenehno govori (The Woman Who Constantly Talks) (1993)

Five women in five video stories are incessantly speaking with words, gestures, bodies, (false) moves about our myths, our lives, our lies, our countries, our racism, our lost territory, our lost bodies and our fears. But this is only one

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Tri sestre (Three Sisters) (1992)

– A classical text by the Great Russian writer from the beginning of the last century Anton P. Cehov about soldiers and ethics are transposed in our time. Documentaries about the war in Croatia, one of the Republic of the

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Sejalec (Sower) (1991)

– The video project SOWER is a story about the political universe of Slovenian art and culture in the 1991. The documentary material is chosen from the 10 days war in Slovenia in June/July1991. Art and its political background are

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