Marina Gržinić, Aina Šmid
RTV magazine, no.1. Poznan 2019
These posters/diagrams/images and texts by Marina Gržinić and Aina Šmid are works that emphasize topics as colonialism, class, racialization, anti-heteronormativity, violent structure of power and subjugation, ghettoization. The visuals are not used as propagandist tools but try to capture the crudeness of social structures and power. […]
About biopower and necropolitics, about borders+volumes, corpus and corpses about intestines and holograms, and about the disturbing miniaturisation of affect and empathy.
Tjaša Kancler
Ediciones t.i.c.t.a.c., Barcelona 2018
Repensar las relaciones entre la antigua Europa del Este y el Occidente, los años tras la caída del Muro de Berlín en los que la política ha adoptado las formas más extremas de dominación de la subjetividad mediante técnicas biomoleculares y semióticas, las medidas de austeridad y de exclusión, la guerra y la muerte, implica abrir espacios de pensamiento más allá de convenciones académicas y reflexionar sobre la cada vez mayor importancia del arte y la cultura para la economía desregulada y la dinámica de despolitización que se produce y reproduce continuamente, no solo económica y políticamente, sino también institucionalmente […]
12.10.2018, Maribor
SCREENING PROGRAM curated by Marina Gržinić and Tjaša Kancler
This program focuses on gender multiple borders and sex as politics. The program puts under question the regime of Whiteness, EU politics of segregation and expulsion, hidden histories. It as well talks about work: to be an artist, theoretician and sex worker. How much resistance against exploitation, racism, dispossession, and misery these positions can produce? What are the forms of these resistances? A militant theater, performance, documentary, a burlesque or an intervention on the street, in the classroom?
Exhibition “Current signs” with Pablo Chiereghin, Anetta Mona Chişa & Lucia Tkáčová, Johannes Gierlinger, Marina Gržinić & Aina Šmid, Siggi Hofer, Sekretariat für Geister, Archivpolitiken und Lücken (SKGAL), Klub Zwei, Milan Mijalkovic, Ryts Monet, monochrom, Ivette Mrova Zub, Yoshinori Niwa, UBERMORGEN, Flora Watzal, Christina Werner, WochenKlausur. curator Enar de Dios Rodriguez
Trouble Diaries: a political statement is a series of exhibition exploring the unique positions and approaches of women artists from around the world. This traveling exhibition aims to examine new conceptual positions in female aesthetics after post-feminism theory through a selection of videos, film, photography, installation, sculpture, painting and drawings.[…]
Editors: Gržinić, Marina, Stojnić, Aneta, Šuvaković, Miško (Eds.)
Palgrave Macmillan, London, 2017
This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality.[…]
