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Cindy Sherman ali histerija produkcija predstavlja rekonstrukcijo fotografij Cindy Sherman (Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman’s Photographs) (1984)

– It is a work that reconstructs the photographs of the American artist Cindy Sherman using the video medium. Scenic and stylistic elements, details and poses from Sherman’s photographs are all recycled, reconstructed and then transformed through acting, shooting and

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Grožnja prihodnosti (The Threat of the Future) (1983)

– With the song by Yello “Pin ball cha cha” and the singer that invites us to watch by singing “Come, come closer to me, I tell you man you will see…” we enter in the dance performed by Marina

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Ikone glamurja, odmevi smrti (Icons of Glamour, Echoes of Death) (1982)

The video is about the phantasmatic world of a woman stereotype portrayed as a model (Marina Grzinic)/apparently a transvestite (that switches through language between sexes, being she and then suddenly he), and her friend – a hermaphrodite (Aina Smid). They

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Interview with Marina Grzinic by Monique Langlois (1998)

Monique Langlois Université du Québec à Montréal Université du Québec à Hull Æ – Volume 3: Fall/Automne 1998 http://www.uqtr.uquebec.ca/ Marina Grzinic is a researcher at the Institute of Philosophy at the Scientific and Research Centre of the Slovenian Academy of

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Media and Body Politics (1998)

In this essay, Marina Grzinic discusses some of her recent multi-media projects, produced in collaboration with Aina Smid, and her views on the effects of mass communications upon life in both Japan and Slovenia, once part of the Yugoslav republic,

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Lezbomanija: napoved festivala LEZBIČNA ČETRT (2012)

listen to Lezbomanija: http://www.radiostudent.si/ Napoved festivala LEZBIČNA ČETRT in predstavitev nekaterih dogodkov: – Intervju Nataše Sukič z Marino Gržinić o prvem dokumentarcu o lezbični sceni pri nas, filmu Razmerja. 25 let lezbične sekcije ŠKUC-LL – Intervju Marine Gržinić s performerko

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