– The video project SOWER is a story about the political universe of Slovenian art and culture in the 1991. The documentary material is chosen from the 10 days war in Slovenia in June/July1991. Art and its political background are…
Category: video
Moscow Portraits (1990)
Moscow portraits is a video project, which reconstructs the work and life of the great Russian avant-gardist, suprematist painter from the 1920s – Kasimir Malevich. His ideas and works are transformed through six bizarre portraits of a “man reading Malevich…
Posted in video Tagged with: 1989, aesthetics, animation, avant-garde, collaborative, computer-graphics, history, homage, installation, international, Malevich, Mondrian, Moscow, performance, portraits, simulation, Soviet-Union, suprematism
Bilokacija (Bilocation) (1990)
– BILOCATION means the residence of the body and soul in two different places at the same time – simultaneously. It is the perfect term for delineating the processes going on in the video medium and for describing the hell…
Posted in video Tagged with: Barthes, bilocation, body, conflicts, digital, discourse, history, Kosovo, love, nationalism, Yugoslavia
Žed (Thirst) (1989)
Thirst is a metamorphosis of the socialist realism way of existence and of its symbols. The story of a man facing his lost time and his indispensable future. It is also a video homage to Yugoslav black-wave films of the…
Posted in video Tagged with: black-wave, death, drama, future, iconography, imagery, life, Macedonian, metamorphosis, Petrovic, realism, soc-realism, symbols, time
Deklica z oranžo (The Girl With Orange) (1987)
– Metaphorical realism is what is at the core of this work. It is a form of realism with a strong mixture of unspoken sentences and not easy comprehensible thoughts. Far from the city, driving her car, the female protagonist…
Posted in video Tagged with: black-wave, camera-revolver, Djordjevic, hate, love, Magritte, memory, realism, relationship, TV, vision, women, worries, youth
Gola pomlad (Bare Spring) (1987)
“I’ve learned everything by watching. Without those pictures we wouldn’t exist either,” says the male protagonist, in reply to his friend’s question about his cross-dressing habits. This “road video,” dedicated to the “road movies” of Wim Wenders, aims to portray…
Posted in video Tagged with: 1980s, cross-dressing, road-video, rock, sensibility, specificity, stereotypes, Wenders, women, Yugoslavia
Os življenja (Axis of Life) (1987)
— The story of the video Axis of life is that of two women remembering their “common” husband – a man who is imputed to have killed both of them, whereas in fact they are alive and they have murdered…
