{"id":491,"date":"2013-02-13T12:50:04","date_gmt":"2013-02-13T12:50:04","guid":{"rendered":"http:\/\/grzinic-smid.si\/wp\/?p=491"},"modified":"2013-02-14T03:35:51","modified_gmt":"2013-02-14T03:35:51","slug":"rdeci-ceveljcki-red-shoes-1994","status":"publish","type":"post","link":"https:\/\/grzinic-smid.si\/?p=491","title":{"rendered":"Rde\u010di \u010develj\u010dki (Red Shoes) (1994)"},"content":{"rendered":"<div>\n<div id=\"id3\">\n<div>\n<div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><span style=\"color: #ffffff;\">&#8211;<\/span><\/div>\n<div style=\"text-align: justify;\">RED SHOES rework and remake for the video camera the modern dance choreography by Sinja Ozbolt.<\/div>\n<div style=\"text-align: justify;\">The surroundings, the architectural settings of the video dance work is a carefully chosen by Grzinic\/Smid.<\/div>\n<div style=\"text-align: justify;\">This is a place \u201cwith the past\u201d \u2013 an army barracks complex (Metelkova) in the centre of Ljubljana.<\/div>\n<div style=\"text-align: justify;\">The Metelkova army barracks complex was in the 1990s squatted by Slovene artists, cultural workers, civil rights and peace movement activists, fighting against the Slovenian state and the city of Ljubljana authority in order to get a place for new social and artistic activities. Metelkova is a sign of the battle for new civil and cultural rights in Slovenia in the 1990s.<\/div>\n<div style=\"text-align: justify;\"><span style=\"color: #ffffff;\">\u00a0&#8211;<\/span><\/div>\n<div style=\"text-align: justify;\">Practically is not possible to distinguish the dancers and their choreographed movements from the various images, contexts, vibrations, places and the sound. The sound is the integral part of the dance, to the point that the dance is the sound, but also the video image and the surroundings.<\/div>\n<div style=\"text-align: justify;\"><span style=\"color: #ffffff;\">\u00a0&#8211;<\/span><\/div>\n<div style=\"text-align: justify;\">The video got the award at TTV Riccione TV-video-theatre festival in Italy, 1995.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div><\/div>\n<div>RDECI CEVELJCKI (RED SHOES)<\/div>\n<div>Betacam SP PAL, 8.00 min, colour,<\/div>\n<div>produced by Plesni teater Ljubljana and<\/div>\n<div>Video Production Kregar, Ljubljana, 1994<\/div>\n<div>original title: RDECI CEVELJCKI<\/div>\n<div>directed by: Marina Grzinic, Aina Smid<\/div>\n<div>choreography by: Sinja Ozbolt<\/div>\n<div>dancers: Olga Kori, Fredi Fontanot,<\/div>\n<div>Dominika Kacin, Jana Menger,<\/div>\n<div>Ursula Terzan, Sabina Potocki<\/div>\n<div>music by: Mario Marolt<\/div>\n<div>camera by: Mirko Simic<\/div>\n<div>editing by: Andrej Kregar<\/div>\n<div>sound mixed by Grzinic\/Smid<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8211; RED SHOES rework and remake for the video camera the modern dance choreography by Sinja Ozbolt. The surroundings, the architectural settings of the video dance work is a carefully chosen by Grzinic\/Smid. This is a place \u201cwith the past\u201d<span class=\"ellipsis\">&hellip;<\/span><\/p>\n<div class=\"read-more\"><a href=\"https:\/\/grzinic-smid.si\/?p=491\">Read more &#8250;<\/a><\/div>\n<p><!-- end of .read-more --><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[153,208,204,58,73,205,203,202,201,206,207],"class_list":["post-491","post","type-post","status-publish","format-standard","hentry","category-video","tag-activism","tag-army-barracks","tag-choreography","tag-dance","tag-memory","tag-metelkova","tag-ozbolt","tag-remake","tag-rework","tag-rights","tag-sound"],"_links":{"self":[{"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=\/wp\/v2\/posts\/491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=491"}],"version-history":[{"count":1,"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=\/wp\/v2\/posts\/491\/revisions"}],"predecessor-version":[{"id":493,"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=\/wp\/v2\/posts\/491\/revisions\/493"}],"wp:attachment":[{"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grzinic-smid.si\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}