Video\u00a0is in its essence a medium of repetition and it is very easy to use and manipulate, hence it is important to develop primarily its political -conceptual prerogatives,\u00a0 dismantling \u00a0aesthetic, languages and discourses that\u00a0 re-naturalize inequalities, capital exploitation, dispossession, racism and discrimination.<\/p>\n
Videos, CD-rom & Web Art by GR\u017dINI\u0106 and \u0160MID<\/strong><\/p>\n \u2022Ikone glamurja, odmevi smrti (Icons of Glamour, Echoes of Death), video, 1982<\/a><\/p>\n \u2022Gro\u017enja prihodnosti (The Threat of the Future), video, 1983<\/a><\/p>\n \u2022 Cindy Sherman ali histerija produkcija predstavlja rekonstrukcijo fotografij Cindy Sherman (Cindy Sherman or Hysteria Production Presents a Reconstruction of Sherman\u2019s Photographs), video, 1984<\/a><\/p>\n \u2022 Trenutki odlo\u010ditve (Moments of Decision), video, 1985<\/a><\/p>\n \u2022 Doma (At home), 16 mm film, 1986<\/a><\/p>\n \u2022 Os \u017eivljenja (Axis of Life), video, 1987 <\/a><\/p>\n \u2022 Gola pomlad (Bare Spring), video, 1987<\/a><\/p>\n \u2022 Deklica z oran\u017eo (The Girl With Orange), video, 1987<\/a><\/p>\n \u2022 \u017ded (Thirst), video, 1989<\/a><\/p>\n \u2022 Bilokacija (Bilocation), video, 1990<\/a><\/p>\n \u2022 Moscow Portraits, video and video installation, 1990<\/a><\/p>\n \u2022 Sejalec (The Sower), video and video installation, 1991<\/a><\/p>\n \u2022 Tri sestre (Three sisters), video, 1992<\/a><\/p>\n \u2022 \u017denska, ki nenehno govori (The Woman Who Constantly Talks), video, 1993<\/a><\/p>\n \u2022 Labirint (Labyrinth), video and video performance, 1993<\/a><\/p>\n \u2022 Transcentrala, video and video installation, 1993<\/a><\/p>\n \u2022 Rde\u010di \u010develj\u010dki (Red Shoes), video, 1994<\/a><\/p>\n \u2022 Luna 10, video and video installation (The Butterfly Effect of Geography),1994<\/a><\/p>\n \u2022 Zgodba o metulju (The Butterfly Story), video and video installation (The Butterfly Effect of Geography), 1995<\/a><\/p>\n \u2022 A3 – apatija, aids in Antartika (A3 – Apathy, Aids and Antarctica) video and video installation (The Butterfly Effect of Geography), 1995<\/a><\/p>\n \u2022 Irwin CD-ROM, Model 2000, computer graphic\/animation, 1995<\/a><\/p>\n \u2022 Os \u017eivljenja (Axis of Life), www site, 1996<\/a><\/p>\n http:\/\/www.ljudmila.org\/quantum.east\/ <\/a><\/p>\n \u2022 Post-socialism + Retroavant garde + Irwin, video, 1997<\/a><\/p>\n \u2022 Troubles with Sex, Theory and History, interactive CD-ROM, Artintact 4, ZKM, Karlsruhe, 1997<\/a><\/p>\n \u2022 Dan D (D Day), video, 1997<\/a><\/p>\n \u2022 Zvezdogled (Stargazer), video, 1997<\/a><\/p>\n \u2022 LUNA PARK, interactive video installation, produced by ICC Biennial Tokyo,1997<\/a><\/p>\n \u2022 O muhah s tr\u017enice (On the Flies of the Market Place), video, 1999<\/a><\/p>\n \u2022 SILENCE SILENCE SILENCE, video, 2001<\/a><\/p>\n \u2022 Vzhodna hi\u0161a (The Eastern House), video, 2003<\/a><\/p>\n \u2022 TESTER, video, 2005<\/a><\/p>\n \u2022 HI-RES, video,2006<\/a><\/p>\n \u2022 Obsession, video, 2008<\/a><\/p>\n \u2022 No War but Class War!, video, 2009<\/a><\/p>\n \u2022 Cista Svoboda (Naked Freedom), video, 2010<\/a><\/p>\n \u2022 Images of struggle\/Decoloniality, video, 2011<\/a><\/p>\n \u2022 Relations, 25 Years of the Lesbian Group SKUC LL, video, 2012<\/a><\/p>\n \u2022 Seizure \u2013 Rewriting counter-histories, video, 2015<\/a><\/p>\n \u2022 Into the Now. Performance on theory, politics and history, video, 2017<\/a><\/p>\n