by Marina Gržinić, 2009 / http://eipcp.net The interest to make the analysis of this exhibition is threefold. It allows, it is my point of departure, to talk about the New Europe, the 20th anniversary of the fall of the Berlin…

by Marina Gržinić I will discuss a series of performance activities by women artists in the territory of ex-Yugoslavia, more precisely in Slovenia from the 1980s to the present. My aim is also to articulate the broader implication of feminism…

by Marina Gržinić Art institutions and art projects of today, produced in the capitalist First World, function on the basis of unbearable abstraction. This means that an enormous quantity of creativity is being released; however, it remains cut off from…

by Marina Gržinić I analyzed some selected performances presented at the International festival MLADI LEVI 2006 in Ljubljana, which displayed some extraordinary theater and dance productions, that opened a productive platform for an analysis of what the current topics are,…

Interview by Marina Grzinic Marina Grzinic: Let’s start from a very general point: Why is it important to think about economy in relation to art? What seems to be interesting about your art is not only a question of art,…

by Marina Gržinić Martin Krenn’s project City Views maps a selected number of cities from an internally radical point of view. Today, cities are reservoirs of different strategies; complicated systems of power games and mistaken cultural politics exist in cities.…

by Marina Grzinic In the context of the relation between history, activism, the image and capital, I would like to outline some topics that deal with capital, gender and positioning, i.e. with theory and history. My principal question is what…