{"id":310,"date":"2013-02-12T01:50:51","date_gmt":"2013-02-12T01:50:51","guid":{"rendered":"http:\/\/grzinic-smid.si\/wp\/?p=310"},"modified":"2026-07-19T11:37:56","modified_gmt":"2026-07-19T11:37:56","slug":"gola-pomlad-bare-spring-1987","status":"publish","type":"post","link":"http:\/\/grzinic-smid.si\/?p=310","title":{"rendered":"Gola pomlad (Bare Spring) (1987)"},"content":{"rendered":"
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“I’ve learned everything by watching. Without those pictures, we wouldn’t exist either,” says the male protagonist, in reply to his friend’s question about his cross-dressing habits. This \u201croad video,\u201d dedicated to the \u201croad movies\u201d of Wim Wenders, aims to portray the sensibility and specificity of the 1980’s rock generation in Slovenia \/ ex-Yugoslavia. The identity of this generation was represented, not through the psychology of an individual, but through the formation of a new visual and cultural space, via the recycling of stereotypes. Bare Spring also includes stereotypical, prototypical and typical images of women from Grzinic \/ Smid\u2019s collaboration with Mandic’s earlier video work, Cindy Sherman, or Hysteria’s Production Presents a Reconstruction of Sherman\u2019s Photographs (1984).<\/div>\n
—<\/span><\/div>\n
MARINA GRZINIC, AINA SMID, Ljubljana<\/div>\n
BARE SPRING, U-matic, 4 min. color; produced by ATV, Ljubljana,1987<\/div>\n
Original title: Gola pomlad<\/div>\n
Directed, written by Marina Grzinic & Aina Smid<\/div>\n
Actors: Borut Mauhler and Mare Mlacnik<\/div>\n
Camera by Andrej Lupinc<\/div>\n
Sound by Jurij Korenc<\/div>\n
Edited by Marjan Osole Max<\/div>\n
Costumography by Marina Grzinic & Aina Smid<\/div>\n
Language: Slovenian; subtitles: English<\/div>\n<\/div>\n
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“I’ve learned everything by watching. Without those pictures, we wouldn’t exist either,” says the male protagonist, in reply to his friend’s question about his cross-dressing habits. This \u201croad video,\u201d dedicated to the \u201croad movies\u201d of Wim Wenders, aims to portray…<\/span><\/p>\n

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